A recently paralyzed architect (Jason Kemp) believes he has witnessed a murder from his apartment window. Jason's colleague (Claudia) quickly becomes his partner in trying to solve the mysterious puzzle that lies in the apartment across the way. The more-than-patient detective (Moore) grudgingly responds to their repeated calls and accusations, but believes Jason's imagination is getting the best of him. Determined to uncover the truth, Jason continues to dig deeper - eventually finding himself locked in a deadly game of cat and mouse.
Spoilt socialite and notorious practical joker Melanie Daniels is shopping in a San Francisco pet store when she meets Mitch Brenner. Mitch is looking to buy a pair of love birds for his young sister's birthday; he recognises Melanie but pretends to mistake her for an assistant. She decides to get her own back by buying the birds and driving up to the quiet coastal town of Bodega Bay, where Mitch spends his weekends with his sister and mother. Shortly after she arrives, Melanie is attacked by a gull, but this is just the start of a series of attacks by an increasing number of birds.
"Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. The director elevated an unknown model, Tippi Hedren (mother of Melanie Griffith), to being his latest cool, blond leading lady, an experience that was not always easy on the much-pecked Ms. Hedren. Still, she returned for the next Hitchcock picture, the underrated Marnie. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films." --Robert Horton
Criminal on the run, Marion Crane take refuge at the motel operated by Norman Bates - a troubled man who's victims encounter a grisly fate at the hands of his "mother." Marion soon becomes the next victim and her disappearance prompts inquiries from her sister and a private investigator. They both soon discover the morbid bond linking Norman to his mysterious "mother" at the Bates Motel.
"For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skilfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night". --Jim Emerson
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