Stern had accepted the government's invitation to attend a rehearsal and give one recital but instead wound up playing a formal concert, touring two cities, and teaching many master classes due to his overwhelming love for music and even more so for the musicians he met, some as young as 10.
Communicating his instructions less through the translator than his energetically gleeful gestures and plosive vocalizations, Stern offers a wealth of technical tips, bowing techniques, and motivational nuggets that all boil down to one theme: don't play the music, live it.
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