Excerpt from Counterpoint: Strict and Free Here every rule of harmony is observed, and the passage is perfectly correct. But if the different voices be examined singly, it will be seen that there iss very little melody, and almost no individuality about them. The Soprano and tenor parts each lie within the compass of a minor third, while the alto consists entirely of two notes. Such a passage, however correct as harmony, can scarcely be called counterpoint. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.