Literature & literary studies:

Cambridge Studies in Nineteenth-Century Literature and Culture: Series Number 113



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Cambridge Studies in Nineteenth-Century Literature and Culture: Series Number 113 by Ashley Miller
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From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolutions, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception.

Author Biography

Ashley Miller is Assistant Professor of English at Albion College, Michigan. Her work on a wide variety of topics in Romantic and Victorian literary studies has appeared in Victorian Literature and Culture, Studies in Romanticism, Nineteenth-Century Contexts, Literature Compass, and Nineteenth-Century Gender Studies.
Release date NZ
August 9th, 2018
Worked examples or Exercises; 00 Printed music items; 00 Tables, unspecified; 00 Tables, color; 00 Tables, black and white; 00 Plates, unspecified; 00 Plates, color; 00 Plates, black and white; 00 Maps; 00 Halftones, unspecified; 00 Halftones, color; 00 Halftones, black and white; 00 Line drawings, color; 00 Line drawings, black and white
Country of Publication
United Kingdom
Cambridge University Press
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