A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. "Bit rot" is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, "Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones."
Bit Rot the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland's established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art. Every page of Bit Rot is full of wit, surprise, and delight. Reading Bit Rot feels a lot like bingeing on Netflix... you can't stop with just one.
Author Biography
Douglas Coupland is a Canadian visual artist, writer and designer. His first novel was the 1991 international bestseller Generation X: Tales for an Accelerated Culture. He has published four-teen novels, two collections of short stories, eight non-fiction books and a number of dramatic and comedic works for stage, film and TV. In 2014, Coupland had his first major solo exhibition at the Vancouver Art Gallery, after which the show toured to Toronto, and then internationally. His most recent book, Kitten Clone, was a finalist for the Hilary Weston Writers' Trust Prize for Non-fiction. Coupland is a contributor to The New York Times, e-flux journal, Artsy and Vice online and is a columnist with the Financial Times of London. Since 2015 he has been artist-in-residence at the Google Cultural Institute in Paris.
