Atomos Shogun Studio II Rackmount 4K Dual Recorder & Monitor (3RU)
The Shogun Studio II Rackmount 4K Dual Recorder & Monitor from Atomos features two 7" monitors with a high brightness of 3000 cd/m². It allows continuous 4K60 recording and monitoring on both channels, and it supports four 1080p60 SDI ISO recordings in a multicamera setup.
The 3RU rackmount solution offers SDI and HDMI input/output with signal
conversion, stereo XLR input/output per channel with 48V phantom power, and
compatibility with ProRes RAW, ProRes, DNxHR, and Adobe CDNG codecs.
Features
- Dual 7" 3000 cd/m² Monitors
- 4K60 Continuous Recording/Monitoring
- SDI & HDMI I/O with Conversion
- Stereo XLR I/O per Ch. & Phantom Power
- ProRes RAW, ProRes, DNxHR, CDNG Support
- Multicam 4 × 1080p60 SDI ISO Recordings
- 3RU Rackmount Solution
Technical Specifications
Weight
- Weight – 5.0kg / 11lb
- Rack height – 3Ru
- Rack mounting – Removable rack ears
- Dimensions (W x H x D mm) –
- 447 × 152 × 280mm, 17.6 × 6.0 × 11.0”(without rack ears)
- 490 × 152 × 280mm, 19.3 × 6.0 × 11.0” (with rack ears)
- Construction – Steel construction for durability
- Cooling – Actively controlled fan with heat sinks
Power
- Operating power (including SSD) – 20 – 86W
- Compatible batteries – No
- DC Out – No
Touchscreen
- Size – 7.2”
- Resolution – 1920 × 1200
- PPI – 325
- Aspect ratio – 16** –9 native
- Color Gamut – Up to Wide color gamut (105% DCI-P3)
- Look up table (LUT) support – 3D LUT (.cube format)
- Technology – SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
- Anamorphic de-squeeze – 2×, 1.5×, 1.33×, Panasonic 4** –3
- Technology – Dynamic AtomHDR zoned backlight
Dynamic AtomHDR Technology
- Backlight – Direct LED
- Zones – 360 direct backlight individual LEDs
- LEDs – Wide Color Calibrated D65 or D95
- Bit depth – 10-bit (8+2 FRC)
- Color – DCI-P3 105%
- Brightness – 3000nit (+/- 10%)
- Brightness – 3000nit (+/- 10%)
- Control – On the fly real-time brightness analysis for LED control
- HDR Conversion – Log/RAW to HLG or PQ, Dolby Vision Loop out
HDR Monitoring Technology
- Gamma – Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG
- Gamut – Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
Video Input/Loop Out
- HDMI – HDMI 1 x HDMI (2.0)
- SDI – Quad Link 4 × 3G/6G SDI*, 4 × 3G-SDI, 2× 12G single link SDI
- Signal (camera dependent) – Uncompressed true 10-bit or 8-bit 422
- LTC (Record Mode Only) – LTC input signal and loop out
- Genlock (Playback Mode Only) – Genlock input signal and loop out
Video Output (Play Out)
- HDMI – 1 x HDMI (2.0)
- SDI (Play Out) – 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode
- Signal – Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Video Signal Conversion
- HDMI to SDI – 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200/240; 2160p 24/25/30/50/60
- SDI to HDMI – 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200/240; 2160p 24/25/30/50/60
- Signal – Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Audio In/Out (48kHz PCM Audio) (Per Channel)
- HDMI – 2 or 8ch 24-bit, camera dependent
- SDI – 12ch 48kHz 24-bit
- Audio
- 2ch balanced XLR analogue in/out Dynamic range >90dB
- Max signal level +24dBu
- 3.5mm 2ch.
Supported Codecs & Frame Rates (Record & Playback)
- Raw to
- ProRes RAW, ProRes
- CinemaDNG (CDNG up to 30p only)
- Avid DNxHD
- Sony FS700, FS-5, FS-7, FS-7MkII
- 4K DCI; 24/25/30/50/60p
- 4K UHD; not supported in camera
- 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
- Canon C300MKII/C500 CDNG
- 4K DCI; 24/25/30p
- 4K UHD; 24/25/30p
- 2K; not supported in camera 1080; not supported in camera
- Panasonic VaricamLT, EVA1
- 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
- 4K DCI; 24/25/30/50/60p
- 4K UHD; 24/25/30/50/60p
- 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
- Supported base resolution & FPS from cameras –
- 2K DCI – 23.98/24/25/29.9/30/50/59.94/60p
- 1080p – 23.98/24/25/29.9/30/50/59.94/60p
- 1080i – 50/59.94/60i
- 720p – 50/60p
- PSF inputs converted to P but looped out as PSF
- Supported FPS & resolution from gaming consoles and graphic cards – 4k UHD: 24/25/30/50/60p
Onboard Processing
- Pulldown removal
- 24/25/30pSF > 24/25/30p (2: –2 pulldown)
- 60i > 24p (3: –2 pulldown)
- 4K UHD downscale for HD monitoring – Yes – Loop-out and playback (Not available in all RAW modes)
Remote Control
- HDMI
- Auto HDMI Trigger
- Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard
- RS422 – 9pin transport control on qualified controllers
- SDI – SDI trigger camera selectable
- Other – LANC control – Slave / Calibration on front. Serial – Calibration on front
Playback
- Playlist / Genlock / LTC – Yes / Yes / No
- CDNG (Recorded content) – No support
- ProRes (Recorded content)
- All recorded files can playback.
- Playback in slow motion >= 100fps.
- DNxHR / DNxHD (recorded content)
- All recorded files can playback.
- Playback in slow motion >= 100fps.
Recording
- Pre-roll record – Yes (HD 8s, 4K 2s)
- ISO Record – Up to 8 streams in 60pHD in parallel
- Custom timelapse – Yes*
- Supported media – 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate.
- Master caddy case – Master Caddy II (included) 75mm x 105mm x 12mm
- Supported applications – Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke