Released amid the burgeoning radio presence of acts like Thin Lizzy, Blue Öyster Cult, and Kansas, and the growing self-conscious profundity of Bruce Springsteen, Down by the Jetty was as refreshingly lean as anything the headline-grabbing ‘70s punks would later loose on the world, and as stripped down as the most basic roots rock. Lee Brilleaux's singing could go up against Eric Burdon's or Cyril Davies, and even take on elements of a thick rasp vaguely reminiscent of Howlin’ Wolf (listen closely to ‘Roxette’), certainly better than Mick Jagger ever did; and guitarist Wilko Johnson could play Jimmy Reed, Chuck Berry, or Bo Diddley licks with equally imposing (and seemingly effortless) virtuosity. This record was one of the great ‘70s rock & roll albums, right up there with the Groovies’ Shake Some Action and anything CCR left listeners, and ran circles around the Rolling Stones' post -Exile on Main Street output. The final cut, a killer live medley of ‘Bonie Maronie’/‘Tequila’ with guests Brinsley Schwarz and Bob Andrews blowing saxes, was a taste of what they did on stage with astonishing regularity, and could have sent the Ramones back to the drawing board if the Queens-based quartet had heard it.' Line-up: Lee Brilleaux: Vocals/Harmonica, Wilko Johnson: Vocals/Guitar, John B. ‘Sparko’ Sparks: Bass, John ‘The Big Figure’ Martin:Drums.
