Sting’s first rock/pop project in over a decade, “57th & 9th”, represents a wide range of Sting’s musical and songwriting styles, from the ferocious, Road Warrior-style imagery of “Petrol Head,” to the anthemic, “50,000” and the raucous, guitar-driven first single, “I Can’t Stop Thinking About You.”

The album was recorded with Sting’s long-time collaborators Dominic Miller (guitar) and Vinnie Colaiuta (drums) and includes contributions from drummer Josh Freese (Nine Inch Nails, Guns n’ Roses), guitarist Lyle Workman and the San Antonio-based Tex-Mex band The Last Bandoleros. Riding a wave of inspiration, 57th & 9th came together impulsively, with sessions completed in just a few weeks.

“It happened very quickly, very spontaneously,” he says. “My idea always is to surprise myself and the people I'm working with—and, hopefully, the listeners.”

The album, produced by Martin Kierszenbaum, takes its title from the Manhattan street corner that Sting crossed each day as he walked to the studios in Hell’s Kitchen where the recordings were done. Sting notes that if there’s a theme in the lyrics of 57th & 9th, it’s the idea of travel and motion, most apparent in the autobiographical “Heading South On The Great North Road” and in “Inshallah,” a first-person account of the global refugee crisis, written from a humanitarian point of view.

“It’s about searching and traveling, the road, that pull of the unknown.” he says. “On this album, we ended up with something that’s energetic and noisy, but also thoughtful.”