Hang 'Em High is a 1968 American Western film starring Clint Eastwood as Jed Cooper, an innocent man who survives a lynching, and tracks down the nine men who done him wrong…
They riddled him with bullets. They strung him up. They left him to die. But they made two fatal mistakes: they hanged the wrong man… and they didn't finish the job. In his first American-made western, Clint Eastwood indelibly carves his niche as the quintessential tough guy, cool-headed, iron-willed and unrelenting in his pursuit of revenge.
Oklahoma, 1873. Jed Cooper (Eastwood), mistaken for a rustler and killer, is lynched on the spot by crooked lawman Captain Wilson (Ed Begley) and a rampaging band of vigilantes. But as Wilson and his gang flee the scene, there's one very important detail they've overlooked: Cooper is still alive! Out for justice and vengeance, Cooper takes on the job of deputy marshall and, one by one, tracks down the nine men who done him wrong.
Review
"This is the film that brought Clint Eastwood (and his reefer smoking habit) back from Sergio Leoneland to Hollywood, his first US role after the Fistful of Dollars films and The Good The Bad And The Ugly. Also notable for a spectacular cameo by Dennis Hopper as a crazed prisoner. But for anyone who loves Westerns, it's more about the story and the characters. And the action.
Clint Eastwood is economically and efficiently cool as the wronged man seeking a justice-delivered revenge, in a performance that belongs squarely in the middle of his career. Ed Begley and Pat Hingle are solid in major support roles, and the women are also excellent: Inger Stevens and Ruth White in particular, while Ted Post's direction neatly propels the story.
Classic close ups and familiar settings in the ageing West add texture, but it's the story that really hooks us, as Jed Cooper balances his revenge against his lawman instincts. Cinematographers Richard Kline and Leonard South grab some well constructed frames and their no-frills approach works for the film's tone. Although it's not one of the great Westerns, it's a decent addition to the genre, with its moral editorial stand against capital punishment. The scenes of celebration before a multiple hanging, for example, a couple of speeches by Jed Cooper and the cause of the action at the start (wrongful lynching) all serve to mount a strong case. And the grizly details of the hangings serve to ram home the humanist point." Urban Cinefile