Winner of the 2011 New Zealand Post “Book of the Year” Award
“Come up to Paekakariki in the land of the tiki where you spend all your
days at the beach.” It's another Saturday night in 1950s Auckland. Downtown,
nightclubs are banning the jive because the exuberant couples disturb the
cautious fox-trotters. Over in Freeman's Bay, the Maori Community centre is the
‘jazziest, jumpingest place in the city’ where sweaty men in zoot suits feed
on Maori bread and huge tubs of potatoes. In Blue Smoke, Chris Bourke recovers
the lost dawn of New Zealand popular music in the 20th Century.
Bourke brings to life the musical worlds of New Zealanders at home (buying
sheet music from Beggs, listening to the radio, learning ‘the twist’) and
out on the town (singing in community choirs, seeing Dave Brubeck on tour,
jiving to Johnny Devlin). Beginning with the return of the Kiwi Concert Parties
from World War I and the arrival of jazz, Blue Smoke also chronicles half a
century of change – with the impact of World War II, the rise of swing,
country, the Hawaiian sound, and then rock'n'roll, the development of a Tanza
and a local recording industry, and the impact of tours by overseas stars. From
Kiwi concert parties to the Howard Morrison Quartet, from Ruru Karaitiana's
‘Blue Smoke’ to Ken Avery's ‘Tea at Te Kuiti’, from swing to folk, from
Wellington's Majestic Cabaret to Christchurch's Wintergarden, Bourke
brings to life the people, places, and sounds of a world we have lost.
It is a world in which Maori and Pakeha New Zealanders gradually developed a
melody, a rhythm, and a voice that made sense on these islands.